Famous Historical Glass Engravers You Must Know
Glass engravers have been very skilled artisans and artists for hundreds of years. The 1700s were especially noteworthy for their achievements and appeal.


For example, this lead glass goblet shows how inscribing incorporated style patterns like Chinese-style motifs into European glass. It additionally highlights exactly how the skill of a good engraver can generate imaginary depth and visual appearance.

Dominik Biemann
In the initial quarter of the 19th century the standard refinery region of north Bohemia was the only place where ignorant mythical and allegorical scenes engraved on glass were still in vogue. The cup imagined here was engraved by Dominik Biemann, that focused on small pictures on glass and is considered as among the most essential engravers of his time.

He was the son of a glassworker in Nové Svet and the bro of Franz Pohl, one more leading engraver of the period. His work is qualified by a play of light and darkness, which is particularly apparent on this goblet presenting the etching of stags in forest. He was also recognized for his service porcelain. He died in 1857. The MAK Museum in Vienna is home to a huge collection of his works.

August Bohm
A noteworthy Nurnberg engraver of the late 17th century, Bohm worked with special and a sense of calligraphy. He inscribed minute landscapes and engravings with strong formal scrollwork. His work is a forerunner to the neo-renaissance design that was to dominate Bohemian and various other European glass in the 1880s and beyond.

Bohm embraced a sculptural sensation in both alleviation and intaglio engraving. He exhibited his proficiency of the latter in the carefully crosshatched chiaroscuro (trailing) effects in this footed cup and cut cover, which portrays Alexander the Great at the Battle of Granicus River (334 BC) after a paint by Charles Le Brun. Despite his substantial skill, he never attained the popularity and fortune he looked for. He died in scantiness. His partner was Theresia Dittrich.

Carl Gunther
Despite his vigorous work, Carl Gunther was an easygoing man that took pleasure in spending time with friends and family. He liked his daily routine of visiting the Collinsville Elder Center to appreciate lunch with his friends, and these minutes of friendship provided him with a much needed reprieve from his demanding job.

The 1830s saw something rather extraordinary take place to glass-- it came to be vibrant. Engravers from Meistersdorf and Steinschonau produced richly coloured glass, a taste called Biedermeier, to satisfy the need of Europe's country-house courses.

The Flammarion engraving has actually ended up being an icon of this new preference and has actually appeared in publications dedicated to scientific research in addition to those discovering mysticism. It is additionally discovered in numerous gallery collections. It is thought to be the only enduring example of its kind.

Maurice Marinot
Maurice Marinot (1882-1960) began his career as a fauvist painter, however became interested with glassmaking in 1911 when visiting the Viard siblings' glassworks in Bar-sur-Seine. They gave him a bench and showed him enamelling and glass blowing, which he mastered with supreme ability. He created his own methods, using gold flecks and manipulating the bubbles and other natural imperfections of the material.

His strategy was to deal with the glass as a living thing and he was just one of the first 20th century glassworkers to utilize weight, mass, and the aesthetic effect of natural problems as aesthetic components in his jobs. The exhibition shows the significant effect that Marinot carried modern glass production. Regrettably, the Allied battle of Troyes in 1944 destroyed his workshop and hundreds of drawings and paintings.

Edward Michel
In the very early 1800s Joshua presented a style that imitated the Venetian glass of the period. He utilized a strategy called diamond factor inscription, which entails scratching lines into the surface area of the glass with a tough metal execute.

He additionally created the first threading equipment. This creation allowed the application of long, spirally wound minimal text engraving tracks of shade (called gilding) on the main body of the glass, a necessary attribute of the glass in the Venetian style.

The late 19th century brought new style concepts to the table. Frederick Kny and William Fritsche both worked at Thomas Webb & Sons, a British company that focused on premium quality crystal glass and speciality coloured glass. Their job reflected a preference for classic or mythical topics.